Sunday, October 24, 2021

Acme Jazz Storage Present Off Shiny New Album Sunday at The Palladium • MUSICFESTNEWS

Acme Jazz Storage Present Off Shiny New Album Sunday at The Palladium Rather a lot has occurred since March 2020….

By Staff , in Palladium , at October 24, 2021

Acme Jazz Storage Present Off Shiny New Album Sunday at The Palladium

Rather a lot has occurred since March 2020. That was actually true for Acme Jazz Storage, the jazz quartet from Tampa. Previous to the start of the pandemic, Acme Jazz Storage launched a spectacular video to accompany a brand new tune, “Rumba Misterioso.” Then the reside music scene collapsed beneath the load of COVID-19. The group’s long-standing gig at Timpano’s closed, together with the restaurant. And keyboard grasp Bryan Lewis moved to New York.

Happily, the band had a number of different songs prepared for launch. “Sharkskin” was issued in April of 2020, then “Phil’s Blues” in June. And there was a number of exercise we didn’t find out about till the group introduced the discharge of their album Sharkskin, which got here out in August.

Bryan Lewis – Acme Jazz Storage

This afternoon at 4 p.m., Acme Jazz Storage will lastly have the chance to play the music of Sharkskin earlier than a reside viewers at The Palladium in St. Petersburg. The core of the band — Lewis, Philip Sales space, and Matt Swenson — will likely be augmented Jody Marsh, the group’s new keyboard participant, saxophonist Rick Runion, and drummer Dave Rudolph, plus particular visitor Shelby Sol on vocals. The plan is to play the album through the first set, then different materials through the second.

Philip Sales space – Acme Jazz Storage

With that in thoughts, let’s dive into Sharkskin, launched on Photo voltaic Grooves. The album was recorded, blended, and mastered by John Stephan on the historic Springs Theatre in Sulphur Springs, Tampa.

Personnel for the album: Matt Swenson, guitar; Bryan Lewis, Steinway grand piano, Hammond B3 organ, synthesizer; Philip Sales space, double bass, Fender Precision fretless  bass guitar, French horn; Pat Shut, drums; Dave Reinhardt, drums; Michael Washington, congas, percussion; Jeremy Powell, tenor sax; Shelby Sol, vocals; Peggy Morris, flute; Christian Taylor Ryan, alto saxophone, baritone saxophone; Rick Runion, tenor saxophone; Jen Peacock Ryan, trumpet; Alex Belliveau, trombone.

Matt Swenson – Acme Jazz Storage



Lewis opens “Sharkskin Swimsuit” [Booth, Lewis, Swenson] (7:25) on Steinway. For the reason that time of its authentic launch, a number of layers have been added to the observe, close to good to start with. Swenson’s plaintive guitar strikes the tune alongside, with Sales space on fretless bass guitar. He additionally provides French horn, and instrument he has dusted off because the shutdown, to nice impact. You may also hear Lewis’ synths weave in an out. Washington and Shut make a terrific rhythm group. Lewis’ piano solo is solely magnificent.

“Watching the River Circulation” [Bob Dylan] (6:21) is a bluesy rocker that includes the vocal stylings of Shelby Sol. Sales space’s double bass sounds so full, so heat right here. Lewis is on B3, the tune propelled by Reinhardt of drums. Each Lewis and Swenson swing away on this one.

Springs Theatre 2018 – Acme Jazz Storage

“Rumba Misterioso” [Booth] (7:37) We’ll cheat right here, as a result of we are able to’t enhance on what we mentioned first day trip:

It’s a great mix of conventional and fashionable Latin jazz, connecting the dots from Tito Puente and Eddie Palmieri to Maqueque and Miguel Zenon. Shut and Washington enter first, adopted by Sales space and Lewis. The solos by Swenson and Lewis and prospers from Lewis all rely upon the pulsating rhythm created by Shut, Washington, and Sales space, who lay down a dynamic platform to construct the tune on.

The tune strikes at a reserved tempo, lithe, undulating — that is downright attractive. This rumba needs to be on the dance ground, our bodies intertwined.

The syncopated refrain ups the tempo with its infectious groove. Morris usually doubles melodies, and she or he introduces Swenson’s solo first, good on this setting, harking back to John Tropea and Santana in these deep grooves. Swenson takes the tune again to the pinnacle, and Morris then results in the attractive piano solo from Lewis. Lastly, they return once more to the principle theme and take it out with yet another nice bouncing refrain.

This can be a full group effort; the rhythm work is equally as essential because the solos right here. Frankly, we can not wait to listen to what else is in retailer from Acme Jazz Storage. They’ve actually whetted our appetites!

And we have been proper!

The “Rumba Jam” (1:45) was used through the credit for the gorgeous video that accompanied “Rumba Misterioso,” Shut and Washington up shut and private.

“Springs Piano Interlude No. 1” (2:16) is the primary of three improvisations by Lewis, a real keyboard wizard. The Steinway at The Springs Theatre is magical, and after Lewis sat down throughout a break within the motion to play, it was so spectacular that they captured a number of others.

“Phil’s Blues” [Booth] (6:15) was already a swinging quantity when initially recorded, however right here Sales space and arranger Sam Fagaly up the ante significantly with the addition of the horn part of Belliveau, Run-on, and Mr. & Mrs. Ryan. Swenson remembers the jazz greats together with his solo, after which Sales space takes his double bass out for a spin. Lewis follows go well with on B3, and the horns are spot on.

Pat Shut – Acme Jazz Storage

Lewis dealt with the association on “When October Goes” [Barry Manilow] (4:50), such a stunning ballad. Reinhardt’s comfortable contact on brushes affords the right accompaniment, together with a young Swenson solo and Sales space on bass and French horn. Lewis additionally performs B3, after which Swenson digs right into a deeply soulful groove.

“Springs Piano Interlude No. 2” (2:50) Extra Lewis magic

They take “Nature Boy” [Eden Ahbez] (7:41) at a terrific tempo, with Reinhardt and Washington giving the observe nice life. Christian Ryan’s baritone is heard through the first stanza earlier than a tenor solo by Jeremy Powell, who was outstanding on the Tampa scene earlier than making it in New York, the place he recorded his solo remotely. Lewis once more dances over the Hammond B3. Sales space’s outing right here is elegant earlier than they return to the pinnacle. Reinhardt helps shut the tune with a pleasant drum function earlier than a fast Powell coda.

Acme Jazz Storage

“Springs Piano Interlude No. 3” (3:25) 

“Mercy Mercy Mercy” [Joe Zawinul] (6:22) is gospel-drenched, a lot the best way the group’s recording of “America the Stunning” is. Lewis is chargeable for the reharmonizing right here, with Swenson rocking over Lewis’ B3 work. Lewis’ solo is playful, dancing across the melody.

“Sharkskin Swimsuit (radio edit)” [Booth, Lewis, Swenson] (6:03) was provided to radio stations that may need a shorter model of the unique tune; it clips of the attractive piano originally. The jazz stations within the Tampa space will all the time play the entire model.





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